Toutes peintures à l'huile d'Jean-Leon Gerome

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82960

A Muezzin Calling from the Top of a Minaret the Faithful to Prayer

Date 1879(1879) Medium Oil on canvas Dimensions (91.4 x 66 cm) cjr

81830

After the Bath

Medium English: Oil on canvas Dimensions English: 82.6 x 66.7 cm cjr

61826

Arabs Crossing the Desert

1870. Oil on panel. 16.25 x 22 in. (41.2 x 56cm(. Najd Collection. Courtesy Mathaf Gallery, London.

81590

Arabs Crossing the Desert

Date 1870(1870) Source Oil on canvas cjr

93556

Bashi-Bazouk Chieftain

1881(1881) Medium Oil cjr

67152

Black Bashi-Bazouk

Year c. 1869 Technique Oil on canvas Dimensions 31 7/8 x 25 7/8 inches (81 x 66 cm)

90743

Bonaparte Before the Sphinx

1867-1868 Medium : Oil on canvas cjr

82928

Diogenes

1860(1860) Medium Oil on canvas cyf

82636

Egyptian Recruits Crossing the Desert

Date 1857(1857) Source Oil on panel cjr

83286

Egyptian water carrier.

Date ca. 1882(1882) Medium Oil on canvas cjr

67151

Eminence grise

Description G??rôme Eminence grise 1873.jpg Oil painting of the Grey Eminence, François Leclerc du Tremblay, the right-hand man of Cardinal Richelieu Date 1873

31089

Esclave a vendre

mk71 1873 Toile H.2.17 L.1.42 Musee d'Art et d'Industrie Andre Diligent ,de Roubaix

91772

General Bonaparte in Kairo

c. 1863(1863) Medium oil on panel cjr

69942

Gerome Eminence grise

Oil painting of the Grey Eminence, Francois Leclerc du Tremblay, the right-hand man of Cardinal Richelieu

59051

Harem baths

Harem baths

40024

Interior of a Mosque

mk155 undated Oil on canvas 22x31cm

59046

is the immediate source of the thumbs down gesture in popular culture. It is owned by Phoenix Art Museum.

Pollice Verso by Jean-L??on G??rôme, 1872, is the immediate source of the "thumbs down" gesture in popular culture. It is owned by Phoenix Art Museum.

66522

Jeunes Grecs Faisant battre des coqus

Oil on canvas 1846

71807

Jeunes Grecs Faisant battre des coqus

Date 1846

83169

King Candaules

Date 1859(1859) Medium Oil on canvas Dimensions 67.3 x 99 cm (26.5 x 39 in) cjr

96851

King Candaules

1859(1859) Medium oil on canvas Dimensions 67 X 100.1 cm cyf

27662

L Eminence grise

mk58 1873 oil on canvas 68.6x101cm Museum of Fine Arts,Boston

82637

Markos Botsaris

Date 1874(1874) Medium Oil on canvas cjr

96675

Mulher do xale verde

oil on canvas Dimensions 81.3 X 60.3 cm cyf

91287

Nude girl

1886(1886) Medium oil on canvas cjr

39950

Oedipus,or General Bonaparte in Egypt

mk155 1867-1868 Oil on canvas 30.2x45.6cm

38189

Painting Breathes Life Into Sculpture

mk29 1893 Oil on canvas 50.2x68.9cm

77805

Painting Breathes Life into Sculpture

ca. 1893(1893) Oil on canvas cjr

86653

Pelt Merchant of Cairo

Date 1869(1869) Medium Oil on canvas Dimensions (61.5 x 50 cm) cjr

59049

Phryne before the Areopagus,

Phryne before the Areopagus, 1861

27665

Pollice Verso

mk58 1872 oil on canvas 97.5x146.7cm Phoenix Art Museum

80151

Pollice Verso

1872 Oil on canvas cjr

38937

Pool in a Harem

mk142 ca.1876 Oil on canvas

59050

Reception of Le Grand Conde at Versailles

Reception of Le Grand Conde at Versailles (1878)

32591

Recreation by our Gallery

mk79 About 1890

93775

Slave Market in Rome

Date circa 1884(1884) Medium oil on canvas Dimensions Height: 92 cm (36.2 in). Width: 74 cm (29.1 in). TTD

59048

The Cockfight

The Cockfight (1846); now in the Mus??e d'Orsay, Paris.

84153

The Hookah Lighter

Date c. 1898 Medium Oil on canvas cjr

80625

The Snake Charmer

"The Snake Charmer", by Jean-Lxon Gxrôme. Oil on canvas; on display at the New Orleans Museum of Art, New Orleans, Louisiana, USA. This is not the classic painting much commented on in studies of Orientalism, but a different painting with the same name and general subject matter. Public domainPublic domainfalsefalse cjr

87036

Whirling Dervishes

Date ca. 1895 Medium Oil on canvas Dimensions 72.5 x 94 cm (28.5 x 37 in) cjr

Jean-Leon Gerome

French Academic Painter and Sculptor, 1824-1904 was a French painter and sculptor in the style now known as Academicism. The range of his oeuvre included historical painting, Greek mythology, Orientalism, portraits and other subjects, bringing the Academic painting tradition to an artistic climax. Born at Vesoul (Haute-Saône), he went to Paris in 1840 where he studied under Paul Delaroche, whom he accompanied to Italy (1843-1844). He visited Florence, Rome, the Vatican and Pompeii, but he was more attracted to the world of nature. Taken by a fever, he was forced to return to Paris in 1844. On his return he followed, like many other students of Delaroche, into the atelier of Charles Gleyre and studied there for a brief time. He then attended the Ecole des Beaux-Arts. In 1846 he tried to enter the prestigious Prix de Rome, but failed in the final stage because his figure drawing was inadequate. He tried to improve his skills by painting The Cockfight (1846), an academic exercise depicting a nude young man and a lightly draped girl with two fighting cocks and in the background the Bay of Naples. He sent this painting to the Salon of 1847, where it gained him a third-class medal. This work was seen as the epitome of the Neo-Grec movement that had formed out of Gleyre's studio (such as Henri-Pierre Picou (1824-1895) and Jean-Louis Hamon), and was championed by the influential French critic Theophile Gautier. G??rôme abandoned his dream of winning the Prix de Rome and took advantage of his sudden success. His paintings The Virgin, the Infant Jesus and St John (private collection) and Anacreon, Bacchus and Cupid (Mus??e des Augustins, Toulouse, France) took a second-class medal in 1848. In 1849 he produced the paintings Michelangelo (also called In his studio) (now in private collection) image of the painting and A portrait of a Lady (Mus??e Ingres, Montauban). In 1851 he decorated a vase, later offered by Emperor Napoleon III of France to Prince Albert, now part of the Royal Collection at St. James's Palace, London. He exhibited Bacchus and Love, Drunk, a Greek Interior and Souvenir d'Italie, in 1851; Paestum (1852); and An Idyll (1853). In 1852 G??rôme received a commission by Alfred Emilien Comte de Nieuwerkerke, Surintendant des Beaux-Arts to the court of Napoleon III, for the painting of a large historical canvas, the Age of Augustus image of the painting. In this canvas he combines the birth of Christ with conquered nations paying homage to Augustus. Thanks to a considerable down payment, he was able to travel in 1853 to Constantinople, together with the actor Edmond Got. This would be the first of several travels to the East : in 1854 he made another journey to Turkey and the shores of the Danube, where he was present at a concert of Russian conscripts, making music under the threat of a lash. In 1854 he completed another important commission of decorating the Chapel of St. Jerome in the church of St. S??verin in Paris. His Last communion of St. Jerome in this chapel reflects the influence of the school of Ingres on his religious works. To the exhibition of 1855 he contributed a Pifferaro, a Shepherd, A Russian Concert, The Age of Augustus and Birth of Christ.

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